Mastering & Creating Your Last Mix Like the Pros (Mastering Process).

The mastering process permits you to carry out last changes after you have actually blended your multitrack recordings to 2 stereo tracks (we'll leave quad and 5.1 surround-sound situations for another day.) Some modifications are made to improve a particular song's sonic quality. Others are made within the context of an album - ensuring that many songs strung together have a comparable sonic "consistency." Normal locations of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing between tunes. Equalization: Often you'll wish to adjust the eq or compression on a mix after you've done the last mix. Or you might have 10 songs mixed by 3 various engineers in five different studios.

Each song's eq might seem best by itself, but if you series them together, all of a sudden one tune sounds too brilliant (or too dull ...). Tip # 1: keep in mind that any eq changes to your stereo mix impact the whole mix - if you desire to cut 3 db at 80Hz because your mix sounds muddy, keep in mind to inspect how that impacts all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is utilized not just to manage a mix or to add character, however also to "print" or send out as much level to the master as possible without clipping the signal.

Spacing & Crossfading.

Spacing: there are different approaches as to how one need to approach Free Type Beat Hip Hop the spaces put in between tunes on a record. Some feel the downbeat of one song need to fall at the start of a new bar, in the pace of the previous song (to continue the circulation.) Others think you must avoid this like the afflict, because it reduces the impact. In the end, do whatever feels. There is no standard. Cross-fade your songs if you like, or location six seconds in between them. (2-4 seconds is common in a lot of popular, non-classical records, but it depends on you.) Last suggestion: you might be inclined to master the same recordings that you blended, whether it is for financial reasons, imaginative reasons, or simply because you can. But we highly recommend that you get another person to master your project. The neutrality and fresh ears they bring to the table inevitably lead to a stronger, more cohesive album.


Normal areas of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing in between songs. Or you may have 10 tunes mixed by three various engineers in 5 different studios.

Each song's eq might appear perfect by itself, but if you sequence them together, all of a sudden one tune sounds too brilliant (or too dull ...). Pointer # 1: remember that any eq changes to your stereo mix impact the entire mix - if you want to cut 3 db at 80Hz since your mix sounds muddy, keep in mind to examine how that impacts all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is used not just to manage a mix or to include character, however also to "print" or send as much level to the master as possible without clipping the signal.

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